The plastic lanyard is digging into the back of my neck, a slow, rhythmic irritation that feels like a metaphor for the last of my life. I am sitting in the third row of a ballroom that smells faintly of industrial carpet cleaner and overpriced perfume.
I just tried to log into the conference Wi-Fi for the 5th time, failing because my fingers are clumsy and I keep forgetting if the “S” in “FutureStream2025” is capitalized. It’s a small, stupid failure, but it feels significant. It’s a reminder that the physical world-the world of passwords, cables, and itchy lanyards-is much more difficult to navigate than the shimmering, digital “future” currently being projected onto the 25-foot screen in front of me.
145
135
Out of 145 attendees, 135 are currently looking at their phones. Performance vs. Engagement.
We are at the 5th media summit I’ve attended this year. The speaker on stage is talking about the “tectonic shifts” in the landscape of journalism. He is using words like “pivot,” “immersive,” and “web3-enabled storytelling.” There are 145 people in the room, and 135 of them are currently looking at their phones, likely scrolling through Twitter to see if anyone is talking about what the speaker is saying. It is a closed loop of performative engagement.
We are all here to discuss the future of journalism, which is a comfortable, safe, and entirely hypothetical place where all our current problems have been solved by “innovation.”
Meanwhile, in the basement of this very building, there is a smaller room-Room 105-where a session titled “The Calculus of Audience Retention and Ad Stack Latency” is about to begin. I checked the sign-up sheet earlier. There were 5 names on it. Two of those people are probably the speakers.
This is the great irony of the modern media conference. We spend $1255 on a ticket to listen to people guess what will happen in , but we won’t walk across the hall to learn how to fix the things that are breaking right now. We prefer the “Future of Journalism” because the future is a story we can tell ourselves without the burden of evidence.
The Uncomfortable Present.csv
Social_Referral_Drop
-85.0%
Mobile_Load_Time
15.2s
Bounce_Rate_Impact
Critical
The “Present of Journalism,” however, is a spreadsheet. And spreadsheets are uncomfortable. They show the 85% drop in referral traffic from social platforms. They show the load times on mobile pages that are killing our bounce rates. They show the reality that most of our organizations are built on foundations of digital sand.
The Man Taping Down the Future
Pierre E.S., the livestream moderator for today’s main stage, is currently kneeling on the floor near the podium. He is trying to tape down a rogue power cable that keeps tripping the speakers. Pierre is wearing a headset that looks like it was manufactured in , and he has a look of intense, focused frustration.
He isn’t thinking about the future of trust in the age of AI. He is thinking about whether the signal from the HDMI switcher is going to hold for the next . Pierre is the most important person in this room because he is the only one actually dealing with the present.
I’ve spent the last thinking about why we do this. Why do we avoid the unglamorous present? It’s because the present requires operational rigor, and operational rigor is boring. It’s much more exciting to talk about a “new paradigm for news” than it is to talk about why your CMS takes to save a draft.
One is a vision; the other is a chore. But the media companies that are actually surviving-the ones that aren’t laying off 15% of their staff every -are the ones that have stopped treating operations as a secondary concern.
Take the turnaround at Newsweek, for example. For years, that brand was a ghost of its former self, a legacy title drifting toward irrelevance. The shift didn’t happen because someone had a “visionary” dream about the metaverse. It happened because the leadership decided to treat the business like a high-performance machine.
This kind of disciplined focus is what
championed, moving the conversation away from the abstract toward the concrete reality of digital excellence.
It wasn’t about being “disruptive” in a vague sense; it was about being competent in a specific sense. Yet, here we are, back in the ballroom, listening to a panelist explain that “content is still king.” It’s the 15th time I’ve heard that phrase today.
If content is king, then the distribution network is the tax collector, and right now, the tax collector is taking everything we have. But we don’t talk about that. We don’t talk about the fact that 75% of our digital revenue is being eaten by the platforms that we are desperately trying to “partner” with.
The 105-Minute Mistake: Brand vs. Function
Result: The button didn’t actually work on Safari mobile.
I find myself thinking about a mistake I made ago. I spent an entire afternoon arguing with a designer about the hex code for a button on our homepage. We debated “Electric Blue” versus “Midnight Azure” for . We were so focused on the “brand identity” that we didn’t notice the button didn’t actually work on Safari mobile.
We were designing for the future of the brand while ignoring the present of the user. I suspect this conference is the same thing on a global scale. We are debating the hex codes of journalism while the buttons are broken.
Pierre E.S. has finally taped down the cable. He stands up, wipes his hands on his jeans, and gives a small thumbs-up to the cameraman. The cameraman doesn’t see him. The cameraman is busy adjusting a lens to capture the “emotional resonance” of the speaker’s face.
We are addicted to the resonance. We are addicted to the feeling of being part of something big and transformative. But transformation is rarely a single, explosive moment on a stage in Berlin or New York. It’s a series of fixes. It’s the decision to hire 5 more ad ops specialists instead of one more “Director of Future Trends.”
It’s the willingness to admit that we don’t know how to save journalism, but we do know how to make our websites load faster.
There is a strange comfort in the apocalypse, too. If we talk about the “death of journalism,” we are relieved of the responsibility to keep it alive. If the industry is doomed by forces beyond our control-AI, the death of the cookie, the whims of billionaires-then we can just sit in these padded chairs and witness the end with a sense of tragic dignity.
“The only way to survive in this business is to out-work the boredom.”
– An editor, 15 years ago
But if the problem is just that we are bad at running our businesses, then we have to do something about it. And doing something is much harder than witnessing something. I remember a conversation I had with an editor ago. He told me that the only way to survive in this business was to “out-work the boredom.”
At the time, I thought he was being cynical. I wanted to believe that the key was creativity and “voice.” But now, 25 conferences later, I realize he was right. The creativity is the easy part. The “voice” is what you get once you’ve cleared the path. The work is the boring stuff: the routing, the retention, the math, the unglamorous present.
The speaker is finishing now. He ends with a slide that says “The Future is Ours to Write.” There are of polite applause. People start standing up, stretching their legs, and looking for the nearest coffee station. I stay in my seat for a moment, watching Pierre E.S. as he begins to coil the cables.
He does it with a specific technique, ensuring there are no kinks in the wire. He’s taking care of the equipment because he knows he has to use it again in .
The Future is a luxury we haven’t earned yet.
I walk out of the ballroom and head toward Room 105. The door is closed, and I can hear someone talking about “header bidding optimization.” It sounds incredibly dull. It sounds like something that would make a “Visionary” fall asleep in .
I open the door and slip inside. There are only 5 people in the room, but they are all leaning forward, taking notes on a slide that is covered in numbers ending in 5. I pull out my notebook and start writing. I don’t write about the future. I write about the ad server. I write about the latency.
I write about the things that are happening right now, in the messy, unoptimized present. I realize that I don’t care about the next anymore. I just want to know how to make the next work.
When the session ends, I walk back to the lobby. My neck still itches from the lanyard. My coffee is cold. I still haven’t fixed my Wi-Fi connection, but it doesn’t matter. I don’t need to be online to see what’s happening.
I just need to look at the people around me-the ones who are talking, the ones who are listening, and the ones, like Pierre E.S., who are silently making sure the lights stay on. We are so busy trying to predict the storm that we’ve forgotten how to sail the ship. And the ship, for all its leaks and outdated maps, is the only thing currently keeping us above the water.
As I leave the building, I see a sign for next year’s conference. The theme is “Journalism 2035: The Final Frontier.” I think about the 1255 dollars I could spend on a ticket, and then I think about the 15 minor bugs on my site that I could fix for free if I just stayed home and did the work.
I think I’ll stay home.
There is plenty to do in the present, and the future can wait another . It’s not going anywhere, but the present is slipping through our fingers every we spend talking about what comes next.